Copyright Law (Law 278.31)
Spring 2002
1.
Sessions. The class meets Tuesday afternoons from 3:10
to 4:50 between January 22 and April 30 in Boalt Hall room 105. The class will not meet on March 26 due to
Spring Break. Also, there will be an
optional review session to be held at the time/place scheduled by the school.
2.
Prerequisites. Introduction to Intellectual
Property (Law 278.3) is recommended but not required.
3.
Casebook and
Coverage. We will use
Copyright Cases and Materials (6th edition) by Gorman and Ginsburg
(ISBN 1-58778-375-4), along with the 2002 Statutory Appendix (ISBN
1-58778-372-X). Make sure you get the
right edition—the 6th edition has just been published.
Some subjects we won’t address in detail: 1909 Act formalities (including duration and copyright notice requirements); preemption; special rules regarding the government, libraries and educational institutions; importation; international treaties; maskworks; vessel hulls; and music issues and the Audio Home Recording Act.
4.
Final Exam. The class is graded solely on the
final exam, which probably will be 2 hours long with 2-3 essay questions and
perhaps some short answer questions.
Pursuant to Academic Rule 3.02(D), the grades will be approximately 10%
HH, 30% H, and the remainder P, PC or NC.
5.
Email. I will occasionally send out class
announcements and articles of interest to the email alias provided by the
school.
6.
Office Hours. I will be available in room 455 from 2:30 to
3 each Tuesday before class.
Alternatively, we can arrange to meet at my Brisbane offices or
on-campus earlier on Tuesday. Email is
usually the best way to reach me; however, in particularly busy times, I may
need a few days to respond. Please note
that I have another class in Santa Clara on Tuesday nights, so my time after
class will be very limited.
7.
Jobs. If you are interested, we can meet to
discuss your job searching efforts. If you
want to chat, email me your resume (in the text of the email, not as an
attachment) and some proposed times when you can meet in my offices or during
office hours.
8.
Contact
Information.
Eric Goldman
Epinions, Inc.
8000 Marina Blvd., 5th floor
Brisbane, CA 94005
Phone: (650) 616-6536
Fax: (650) 532-1269 x1379
Driving
directions from Berkeley: 80W to 101S to Sierra Point Parkway. At the end of the offramp, bear left and
then go straight through the stop sign.
In a mile or so, you will go under the 101. Then, 8000 Marina Blvd. is the 8 story building behind
Hitachi. Go to the 5th
floor.
My personal website is at http://eric_goldman.tripod.com.
CLASS SCHEDULE
Note: OMIT the rest of Chapter 1.
January 29 through February 12—What is copyrightable?
Note: OMIT pages 83-90 (fixation), 155-160 (databases), 179-185 (CONTU), 226-258 (architectural works, characters, government works, copyright in porn)
February 19—Who owns a copyrighted work?
Note: OMIT pages 278-281 (teacher exception) and 335-337 (transfer by operation of law)
· Reproduction—pages 414-446, 463-480 and 491-498 and Secs. 106 and 501
· Derivative works—pages 511-527 and 165-179
· Moral rights—pages 527-543 and Sec. 106A
· Distribution and first sale—pages 543-551
· Perform and display—pages 559-570, 577-580 and Kelly v. Arriba
· Rights in new media—pages 306-325
Note: OMIT pages 446-463 and 480-491 (more on similarity), 498-511(phonorecords), 551-559 (importation), 570-577 (musical performances) and 580-613 (digital performance and various exceptions)
Pages 614-717 and 722-748 and Sec. 107; also read Cook v. Robbins
Note: OMIT pages 717-722 (Sec. 108)
· Duration—pages 342-343 and 349-350 and Sec. 302 (skip the rest of Chapter 4)
· Misuse—pages 835-837
· Copyright notices—pages 383-384 and Secs. 401-406
· Deposit and registration—pages 407-412 and Secs. 407-412
(skip the rest of Chapter 5)
· Criminal—pages 780-782 and Sec. 506 and 507(a)
· Contributory and vicarious infringement—pages 782-806
Pages 749-772 and 776-780 and Secs. 502-505, 507(b), 509
(Skip pages 772-776 on the 11th amendment)
Pages 838-846 and Sec. 301
Pages 806-835 and Secs. 1201-1205
· Protecting factual data
· Drafting copyright licenses
· The future of copyrights